Raymond Bobgan creates new performances that are bold, multilayered, and highly physical through an ever-evolving ensemble process. So people are challenged to come up with their own answers to huge life issues and sometimes silly things.” And he does not try and tie things up in a pretty little package and offer a lot of answers.
“Raymond has brought his sprit of innovation to Cleveland that doesn’t stop at creativity. When an audience is able to experience ritual making… well that’s something that the audience can take with them outside into their everyday lives.” Please send email to Raymond is endeavoring to do is not just a performance, but the creation of ritual.
How: To apply for this free workshop, performers should send a resume and headshot (if available) and a paragraph email explaining why they wish to take the workshop. This workshop is also offered to meet new potential collaborators and deepen relationship with past collaborators. This workshop can benefit performers interested in exploring new avenues of expression in theatre, alternative creation techniques, and to develop their personal presence (onstage and off). Why: Raymond is offering this workshop freely to deepen his own work and further his research around certain practices and principles. Where: Cleveland Public Theatre’s Parish Hall and the creative landscapes of the participants. This workshop will involve intense physicality (similar to a dance workshop), enduring presence, and expansive yet focused imagination. What: Poetic Performance is a style of theatre and a process for creating theatre that is intense, deeply personal, and gives primacy to physical and vocal expression, poetic and nonlinear storytelling, use of poetic and abstract text, use of song as a means for transformation and impact, and multilayered experiences. Raymond is excited to work with past collaborators and artists new to this work. Who: This workshop is for actors at various levels of development who are interested in alternative approaches to performance and creating theatre. Photo screenshot by Cleveland Film Company. I propose to move immediately upon your works. "No terms except an unconditional and immediate surrender can be accepted.
If you have any further questions please askĪnd also please join their group if you want to raise support and make sure our various steam communities stay free from Paid Mods and fraudulent marketing schemes!
Furthermore, even though this full priced game already as a F2P styled microeconomy and other components mentioned above, they have already mentioned their plan to sell other items such as: "weapons with new gameplay", "characters and voicepacks. TWI effectively withheld these monetization plans, allegedly in order not to hurt their Early Access sales, which, jointly with Steam's tenuous refund policy assured that interested individuals would not be able to return their game. Crates and some of the lesser cosmetic items can be obtained as marketable drops, but otherwise the ONLY way to acquire these items is through Key Crate RNG or the Steam market.
7 - 8 months into Early Access, after >500K sales and with effectively no prior warning, they implemented a Key Crate RNG microeconomy involving differing rarity/quality Steam market items with plans for crafting, an associated curated mod workshop for paid items, and a $10USD Deluxe Upgrade ON TOP OF an in-game store.
Basically, TWI launched "Killing Floor 2" as a $30 USD Early Access title with the billing of "Early Access Done Right" on 4/2015. Their main focus of the group is to convince Tripwire Interactive (TWI) to “reconsider/reform the implementation of Zedconomy” in the game Killing Floor 2. Recently, I have been contacted by BlackSpawn: co-owner of the group TWI – NOMICROTRANSACTIONS !! with Bigguns.